A beautifully told story with colorful characters out of epic tradition, a tight and complex plot, and solid pacing. -- Booklist, starred review of On the Razor's Edge

Great writing, vivid scenarios, and thoughtful commentary ... the stories will linger after the last page is turned. -- Publisher's Weekly, on Captive Dreams

Monday, September 22, 2014

Book Review: Wreck of the River of Stars

Joseph Moore at Yard Sale of the Mind has posted a review of The Wreck of 'The River of Stars'. He thinks it's pretty good.

All the characters are loveable in some way, even those who seem harsh or cruel. Each has strengths and weaknesses, and many hold grudges or other hurts. These are revealed over time and become factors in the ultimate fate of the ship and its crew. Moments of great beauty and heroism, of the least likely coming through big, of tragic loss – it’s a modern Greek tragedy.

Sunday, September 21, 2014

In a Popular Albeit Neverending Series

which for fear of spoilers TOF shall not name, the following comment was made by a blogger. Names and context have been altered to protect the innocent.

Thursday, September 18, 2014

Poetry Time: Hopkins

When TOF was in high school, he (along with his fellow scholars) was assigned to write a term paper on a selected English writer. Unlike most of the others, the selection in his case was made by Sister. She selected for his edification Gerard Manley Hopkins, a poet of whom TOF had not hitherto heard of. (Sister had the firm belief that TOF would one day become a Jesuit, and Hopkins was a Jesuit. In the end, the Jesuits lucked out.)

This was not the poem, but one TOF selected more or less at random for the blog. It is one of several untitled poems, apparently written while Hopkins was suffering from clinical depression, with its accompanying sleeplessness and despair. Like all of Hopkins' poems, it is meant to be read aloud.

'I wake and feel the fell of dark, not day'
By Gerard Manley Hopkins

I wake and feel the fell of dark, not day.
What hours, O what black hours we have spent
This night! what sights you, heart, saw; ways you went!
And more must, in yet longer light's delay.
   With witness I speak this. But where I say
Hours I mean years, mean life. And my lament
Is cries countless, cries like dead letters sent
To dearest him that lives alas! away.

   I am gall, I am heartburn. God's most deep decree
Bitter would have me taste: my taste was me;
Bones built in me, flesh filled, blood brimmed the curse.
   Selfyeast of spirit a dull dough sours. I see
The lost are like this, and their scourge to be
As I am mine, their sweating selves; but worse.

Hopkins was a verbal poet, and said his poems were to be recited, not read. He also used isochronous feet, meaning the poem is broken into segments that take the same amount of time to speak, no matter how many syllables they might have. (Unstressed syllables could get swallowed up.) He called this "sprung rhythm." He also tended to use only words of Anglo-Saxon origin - no French need apply - and you can often find the double alliteration of Anglo-Saxon poetry. In each half-line there is usually the same stressed consonant. For example:

I wake and Feel the Fell of Dark, not Day.
This night! what Sights you, heart, Saw; Ways you Went! 

He also invents words, as the poet of Beowulf called the sea the "whale-road". In this poem we find the word "selfyeast," which is a seriously cool wordpacking of what would otherwise be a longer phrase. When it came to squeezing meaning into the smallest compass of words, none did it better.

There is evidence from his letters that Hopkins was feeling clinical depression, separated from his family as he was by his conversion to Catholicism and his move from England to Ireland. He seems to equate his prayers (to dearest him) to dead letters, sent but not answered, and compares his depression to what the damned must feel in their eternal separation.

There are spiritual exercises the Jesuits engage in, and one set is for dealing with "desolation."

The Journeyman: On the Shore of the Unquiet Sea

The latest episode in the travels and travails of Teodorq sunna Nagarajan, nearly finished now, begins thusly:

What the Well-Dressed Woman Will Be Wearing

"Down, boy!" or PTSD in the sexual revolution.

Tuesday, September 16, 2014

Clearing the Tabs

Deja Vu All Over Again
Check out the four video clips here. Plus ├ža change and all that. Clinton is especially interesting, though no one later accused him of lying.

How to Spot Bad Science

Wednesday, September 10, 2014


TOF is trying an experiment. Can he load a video from his machine to the intertubes? We shall see. [The answer turned out to be no.]

The great classic movie COUNTERATTACK was made in 1964/65 by a groups of juniors and seniors at Notre Dame High School, Green Pond, PA, and was presented on the occasion of an evaluation by Middle States Association of Colleges and Secondary Schools at the request of the principal, Fr. Strassner. Much of what has changed in the last 50 years can be deduced from viewing this film.

From comments by four of the original cast: Gary Armitage, Jim Reilly, Jim Welsh, and yr. obt. svt.:

Earlier scenes (and a different "plot") had been shot in 8mm color film during the Fall. These scenes involved infiltrating German lines to blow up a bridge that the enemy might use to escape the encircling Allied armies. A pond and clever photography angles stood in for the river. The bridge was supposed to be just under the water to foil aerial recon, so we only had to build the approaches on the near side. However, lighting proved a problem and a coherent film could not be built from the good scenes.

Our watercooled machine gun (non-operative, dang it)
We learned the Fall footage was toast around December and told Fr. Strassner, "Sorry - maybe early 1965." He says, "Boys you're playing in the adult world now. You will produce a film." So we shook  him down for:
  • $$ 
  • time off from school, and
  • the football team's 16mm camera, since the football season was over 
Equipment, helmets, etc. consisted of parental souvenirs from WW2 plus various working rifles here and there. We purchased black powder and blank cartridges from a local gun shop. Most of the filming was done on the farm of our producer, Jim Reilly. (It was a Christmas Tree farm, of all things.) Hence, there was dynamite available for the special effects.

Our machine gun in the pillbox
We made the film in the late winter, which was not severe. In several scenes, for continuity, we had to use Ivory soap flakes to replace the snow that had in the meantime melted. We had a range safety officer whenever live ammo was being fired, and everyone double and triple checked to make sure they were using blanks. (Only one person held the live rounds.) In the 8mm color films you can see the muzzle smoke from the blanks, but not in the 16mm b/w.

I suppose there was some luck involved in that no one was hurt, but it wasn't dumb luck.

Round about April Fools Day, Gary and Jim R. pulled an all-nighter to cut the film. Robert Jennings did the title screen. He and Gary used an acid etched glass screen for rear projection which Gary learned about from reading 4SJ's Famous Monsters of Filmland. It seemed to take forever. Jim R. spliced and edited. Editing was easy, he said, since both Gary and he had the same vision for the film, having shot most of it.

Sure am glad they don't have a mortar.
Jim Welsh in back. George Savitske with 'noccs
Jim was a member of the Adventure Club
Once the film was made, we looped a sound track. This is not easy to do with silent film. Sound was recorded on a separate reel-to-reel tape recorder, which in the premier showing was kept in synch with the film by judicious pausing of the tape deck. We whistled, coughed, and spit into the mike to record the sound effects! I did most of that. Going "pooh!" into the mike sounded remarkably like an explosion when played back. The Great Escape provided the theme music. I suppose we could have had trouble over that. We even had a script, in English and German, although during the premier Mrs. Marschall, one of the parents in the gym/auditorium, could be heard clucking, "Ach, nein!" so one supposes the translation was not the greatest.

The tape reel is now lost or, more precisely, has not been found. So the film is now silent by default. In the event the film ever gets uploaded, TOF's Faithful Reader is advised to go "pooh!" at the proper moments while watching.
Let's aim our mortar right about there, where Savitske is.
Home-made mortar in background.
We presented Counterattack at a required student assembly during the Middle States visit scheduled for April 6 - 8. At the end, there was stunned silence from the rest of the student body, then an eruption of cheers and applause.

The present film has a few infelicities in the early part due to the transcribing. What TOF has now is a DVD copy of a VHS tape shot off a movie screen projection of the original 16mm film. So there is a moment of snow, some out-of-focus segments, and some sprocket jerking; but things settle out.

The film involves a US squad led by a lieutenant that digs in on a hillside during a general retreat in the face of a German counterattack. They find a machine gun nest at the bottom of the hill with two gunners who are wondering where the hell everybody went. The LT tells them they have to bottle up this pass so the Germans can't break through. It's probably a suicide mission. Everyone is properly enthusiastic.

The Germans attack. The LT says, good thing they don't have a mortar. Then the mortar starts laying in rounds, so the LT sends two men -- Jim Reilly and Jim Welsh -- to sneak through at night and take out the mortar. They do this, though Reilly is killed. Then there is more attacking and more defending. There seem to be more Germans than there actually were in the cast because we played multiple roles. TOF was killed twice! One of his roles was the German lieutenant, and he can be seen initially directing the mortar to lay in the fire.

 The last scene shows the lieutenant's helmet as a grave marker and American soldiers walking past (George, Jim, Jim, Red, Dan, and the rest having gained them the time for a counter-attack) a voice says, I wonder who that guy was. Freeze frame. End.

Filmic Lessons Learned

Our beloved pill box. At the bottom of a hill, with no easy
escape for the gunners. Hmm.
In the walking-past scenes, there were only a few guys but they circled the camera and walked past again and again.

We had not learned that things always look faster on film and therefore one ought to move more slowly when being filmed. Hence, the sometime herky-jerky looking motions.

It's "lights, action, camera," not "lights, camera, action." A couple times actors start the scene from obvious standing starts.

At about 6:24 into the movie, Red Scannell learns the truth of the old adage about not spitting into the wind.

Our beloved pill box being blown to smithereens along with
gunner Carl Symmons whose immaculate hand will
protrude from the resultant debis.
If you are going to blow up a laboriously-built pill box, you only get one chance to film the scene.

German Wehrmacht greatcoats can be made by taking ordinary greatcoats and dying them in a boiling cauldron with dark green dye, then sewing on Wehrmacht rank badges and such.

Audiotape has "stretch" but film is ratcheted. Therefore the one will get out of synch with the other.

Stuntmen? We don' need no steenkin' stuntmen!
Red, executing forward somersault in media res.

At 12:48 in the film, Red learns that if you are in a fox hole and a grenade lands nearby, standing up is not an optimum strategy. The explosion sends him into a perfect forward somersault down the hill.

(Red was the de facto stuntman. In the original 8mm color film, he dove into the pond fully uniformed in order to swim the satchel charge out to the (faux) bridge.)

Kids in 1964/65 could do things that kids of 2014/15 cannot dream of. Today, a kid can get in deep trouble for biting his lunch sandwich into the form of a handgun. 

The Cast: Where be they now?

TOF is collecting info where he can, and will update this as he is able. If TOF's Faithful Reader knows any of these folks, or knows Kevin Bacon (whose connectivity is legendary), pass the word that their vitae are wanted.
  • Jim Reilly, producer and editor
    Jim Reilly became a City and Regional Planner. Had two boys (both doing well). Served 25 years in the medical corp, Army Reserves, including service during two wars. Published over a dozen articles related to planning in refereed journals. Married, divorced and happily remarried. Retired and now the editor of the International Society of City and Regional Planners publication, cleverly titled, the ISOCARP Review. 

  • George Savitske, later a colonel
    The LT, George Savitske later became, like his father, a colonel in a real army, in Vietnam.

  • Dan Hommer, once of the Adventure Club
    Dan Hommer became a researcher in brain science at the NIH in Bethesda until his recent death. He had done seminal research into the brains of alcoholics.

  • Jim Welsh
    Left: Jim Welsh, leading the infiltration

Red Scannell, surveying his domain
  • Red Scannell taught drama in high school for many years before selling English textbooks for McGraw Hill. When last heard from, he was living in the Seattle area.
  • Gary Armitage was mostly behind the camera, so no shot for him. Married Stephanie Mullen and has 5 children and 1 grandchild. He's run University and College Conference Centers since 1974 and taught in the Hospitality Management Program at the University of New Hampshire for 15 years. He is currently Director of the Leadership Institute in Lincoln, NH, and Executive Producer for the Wonderland Films Horror Film entitled "Chain of Souls." Still making movies! 
    Joe Dobrota, hiding behind cast titles
    • Robert Jennings
    • Thomas Fisher
    • Joe Dobrota

    • TOF, downy-cheeked agent of world domination
      Left: Sterling Carter, of the Adventure Club

      Mike Flynn became a quality engineer and industrial statistician, published a few articles in general topology and applied statistics. Worked as a quality management consultant on several continents and published several science fiction novels and short stories. Married now for forty-odd years, some of them very odd. Two grown children and three grandchildren.
    • Sterling Carter graduated from Univ. of Scranton, became a salesman and lived in California, a beloved husband, father, and grandfather before his untimely death.

    Carl Symmons, under debris. RIP
    • Tony Ingraffea, a Peace Corps veteran, is a professor of civil and environmental engineering at Cornell.
    • Carl Symmons
    • Frank "The Wildman" Stephans

    No students were harmed in the making of this movie.

    TOF's efforts to upload the movie have run into a size limit.

    Viz., The video is five times larger than the limit.
    TOF must learn to make the video into five smaller pieces
    or something.