Well, this one did not make the cut at Analog, and I can't say I am surprised. It was my first attempt at writing a sestina, which is a difficult form to begin with. Even the best examples often have a stilted aspect to them from the word repetition.
So, here it is:
Though finer points of their philosophy may prove obscure
By Michael F. Flynn
Alas we seem alone; no other mind takes form
On this fair Earth – nor any other place
That eye can see or instruments appraise.
From distant stars no missives we receive.
As if in that vast vacuum no soul
Abides save only those we call our own.
Such life, we’re told, will be unlike our own;
That’s true for trivia: species, body, form,
Appetites and senses foreign to our soul.
(What lusts do bats endure when squeaks they place,
What pleasures due to echoes they receive?
Our minds cannot conceive what bats appraise.)
But not unlike entire, for kinship we appraise
Beneath those accidents they call their own:
They too preserve, perfect what they receive.
(The struggle to survive is higher form
Of that by which a boulder holds its place.
Inertia is but life deprived of soul.)
They will pursue the good known to their soul,
Whatever good it is that they appraise
In foreign far-flung interstellar place.
Survival’s urge is much alike our own,
Though executed through some other form:
Those powers and appetites that they receive.
Do bats admire the echoes they receive?
Do certain sounds enrich their very soul?
What drives impel the unfamiliar form
On distant stars we do not yet appraise?
Far from and yet alike unto our own
They are, no matter where their outré place.
And what awaits, would we fare to their place
Or they to ours? What welcome to receive?
A sister mind? A tasty snack? A pet to own?
It all depends on what completes their soul
And how both good and ill they do appraise.
When seeing us, what image do they form?
L’Envoi
A place within each soul
Receives and does appraise
Its own and other’s form.
The OFloinn's random thoughts on science fiction, philosophy, statistical analysis, sundry miscellany, and the Untergang des Abendlandes
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