Reviews

Space opera fans will be swept away by the poetic rhythm and subtle plot construction, and the open-ended conclusion will leave them clamoring for future Donovan buigh adventures.
-- Publisher's Weekly, on In the Lion's Mouth

Over and over again he expresses in beautiful prose the double meaning that the events the character is experiencing have. In a single sentence he can show how the action of an event can mean one thing when observed from the outside and the very opposite when observed from inside the character. Marvelous!
-- Steven R. Zeigman, on Up Jim River, on AMAZON

“Composed with structural brilliance, invested with authentic human feeling, and redolent not only of its SF precursors but of archetypal myths that echo timelessly through life and art, The January Dancer is a masterpiece.”
--Locus

Wednesday, January 11, 2012

Something That Crossed My Mind

Oh, yes....




h/t Mark Shea

Okay.  And then there is this:









I actually quibble with one thing he says. The Mayans (and others who used this and similar calendars) did think that the world was destroyed and reborn at the end of every Great Year. (Although the term "great year" is Chaldean, it was also used by the Greeks and by some people in the Renaissance.) The notion is that when everything in the universe is aligned once more as it was in the beginning, everything will reboot. Socrates will be born again, be denounced again, and will again drink the hemlock when everything is aligned the same was as before. This is curiously consonant with the beliefs of determinists, who substitute something they call "physical causes" for the alignment of the stars.  But more on that later.

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