Why? The title, the cover, and the opening passages. Now short stories seldom have covers, and even for novels the cover is usually not controlled by the writer. So let’s consider titles, as such. We will consider the opening in a later post at some uncertain date.
Thanks and Acknowledgments. I was assisted in this essay by helpful inputs from the Committee of Correspondence. They include old hands and neo-pros, hard SF and fantasy, novelists and short fiction writers. However, they are not to blame for what I did with their comments.
- Jack McDevitt, Nebula-winning author of the popular Alex Benedict and Priscilla Hutchens novels
- Bill Gleason, a neo-pro with several short stories in ANALOG
- Nancy Kress, multiple Hugo and Nebula winning author and one-time fiction columnist for Writer's Digest
- Geoff Landis, author of Crossing Mars and winner of both Hugo and Nebula awards for short fiction.
- Ed Lerner, author of multiple novels including the Fleet of Worlds series with Larry Niven
- Michael Swanwick, author of the Nebula-winning Stations of the Tide and numerous fine short fiction
- Harry Turtledove, regarded as the master of alternate history, has won the Hugo and Nebula for his short fiction
- Juliette Wade, a neo-pro with several noted short stories hinging on linguistics and culture.
- John C. Wright, author of the Golden Age series and Chronicles of Chaos and the forthcoming Count to a Trillion
What are the Qualities of a Good Title?
In his book Twenty Problems of the Fiction Writer, John Gallishaw addresses the title in his chapter "How to Make a Story Interesting."
Now the ultimate Beginning of any story, that part which comes at once to the reader's attention, is the title. From the point of view of interest, a good title is, then, your first consideration in arousing the reader's interest. The title should be arresting, suggestive, challenging. Kipling's "Without Benefit of Clergy" has all these requirements. So has Barrie's "What Every Woman Knows." So has Henry James's "The Turn of the Screw." So has O. Henry's "The Badge of Policeman O'Roon." So has John Marquand's "A Thousand in the Bank." ..... You may say definitely that the first device for capturing interest is in the selection of a title which will cause the reader to pause, which will whet his curiosity.